Todd Marshard
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Cactus Flower Large Terracotta and Black 1 -
Cactus Flower Small 1 -
Cactus Flower Small 2 -
Cactus Flower Small Terracotta and Black 1 -
Cactus Flower Small White and Tan 1 -
Cactus Flower Tall 1 -
Cactus Medium 1 -
Cactus Medium 2 -
Cactus Small 1 -
Cactus Small Circular 1 -
Clover Small 4 -
Clover Tall 4 -
Pod Bell Large 1 -
Pod Bell Low 2 -
Pod Bell Small 1 -
Pod Bell Small White and Brown 1 -
Pod Bell Tall 2 -
Seaweed Large 1 -
Seaweed Small 3 -
Tulip Large 1 -
Tulip Small 1 -
Tulip Tall 1 -
Volcanic Sea/Aegean 1 -
Volcanic Sea/Aegean 3 -
Volcanic Sea/Aegean 5 -
Volcanic Sea/Aegean II, 2026 -
Volcanic Sea/Aegean IV, 2026
Todd Marshard is a ceramic artist whose handbuilt work is deeply influenced by the natural rhythms and textures of the island of Paros, Greece, where he now lives full-time. After a long and successful career as a fashion photographer in New York City, Marshard shifted his creative focus to clay, drawn by its tactile immediacy and expressive possibilities. What began as a personal exploration quickly became a new way of life. On Paros, he found a slower pace and a deeper connection to nature, both of which now inform his sculptural and functional ceramic pieces. His forms echo the contours of the island — weathered stone, bleached wood, and Cycladic simplicity — and embrace the irregularities and imperfections of handbuilding. Each piece reflects a quiet dialogue between material, memory, and place.
“My work in ceramics is a meditation on the intersection of material, form, and time. Through the tactile language of clay, I seek to explore both the fragility and resilience inherent in natural and built environments. Each piece is a dialogue between intentional design and the spontaneous, often unpredictable, voice of the kiln — a conversation that honors imperfection, transformation, and the quiet beauty of erosion and growth.
I am drawn to subtle surface textures and restrained palettes that allow the nuances of form and firing to emerge fully. My process often begins with traditional wheel-thrown and hand-building techniques, but evolves through layering, carving, and sometimes controlled distortion, inviting a sense of organic movement. Inspired by landscapes, architecture, and the Japanese aesthetic of wabi-sabi, I aim to create vessels and sculptural works that feel both grounded and ethereal — objects that carry a presence beyond their physical weight.
"At its core, my practice is about slowing down, paying attention, and inviting viewers to experience a moment of stillness and reflection through the quiet power of handmade objects.” – Todd Marshard
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SECOND NATURE
March 27 - April 23, 2026Dernier Cri announces Second Nature, the gallery’s second exhibition. Opening to the public on Friday, March 27th, this show brings together new work by artists and designers who arrived at their practice after first pursuing careers in other fields—from owning an independent record shop and working at Apple in the early days of iTunes to careers in e-commerce merchandising, fashion photography, executive search, and public relations. Though their paths to the studio were unconventional, their work emerged not as a departure but as a natural evolution.Read more -
Unveiling the Inaugural Exhibition: NIGHT SHIFT
January 29 - March 5, 2026Unfolding in the dark depths of winter, Night Shift gathers works united by a single premise: each is rendered entirely in black. For this debut, Dernier Cri founder Michael McGraw has commissioned a select group of artists and designers to create new work in which darkness becomes both subject and medium. A study in how absence reveals presence, these pieces explore the artistry of restraint, illuminating how form, texture, and light shift within the limits of a single hue.Read more

